"Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we
investigate this affair. What's your name?"
The child hesitated for a moment.
"Will you please call me Cordelia?" she said eagerly.
"Call you Cordelia? Is that your name?"
"No-o-o, it's not exactly my name, but I would love to be
called Cordelia. It's such a perfectly elegant name."
"I don't know what on earth you mean. If Cordelia isn't
your name, what is?"
"Anne Shirley," reluctantly faltered forth the owner of that
name, "but, oh, please do call me Cordelia. It can't matter
much to you what you call me if I'm only going to be here a
little while, can it? And Anne is such an unromantic name."
"Unromantic fiddlesticks!" said the unsympathetic Marilla.
"Anne is a real good plain sensible name. You've no need to
be ashamed of it."
"Oh, I'm not ashamed of it," explained Anne, "only I like
Cordelia better. I've always imagined that my name was
Cordelia--at least, I always have of late years. When I was
young I used to imagine it was Geraldine, but I like
Cordelia better now. But if you call me Anne please call me
Anne spelled with an E."
"What difference does it make how it's spelled?" asked Marilla
with another rusty smile as she picked up the teapot.
"Oh, it makes such a difference. It looks so much nicer.
When you hear a name pronounced can't you always see it in
your mind, just as if it was printed out? I can; and A-n-n
looks dreadful, but A-n-n-e looks so much more distinguished.
If you'll only call me Anne spelled with an E I shall try to
reconcile myself to not being called Cordelia."